Beauty & the Brand: Analysing Alexander McQueen's Spring/Summer 2016 collection & Hair and Makeup

Sarah Burton is the official creative director of Alexander McQueen. For the Spring/Summer 2016 collection, she was inspired by history. To be more specific, she was inspired by the English folklore and the 17th century artisans.

Old stories has for quite some time been rich ground for the brand, with McQueen himself drawing on their gothic, hypnotizing nature for accumulations, for example, The Girl Who Lived in a Tree, his own dream story of a young lady dropping from the tree in his greenery enclosure to wind up a princess. With surging botanical fabric and flushed, English rose cheeks, this current season's dreams additionally had a touch of the fable courageous woman. Dresses were done off with the minor catches and cross charms you may pull from a velvet-lined knickknack box.As is to be envisioned with a McQueen gathering, there was an insight of dim sexuality – models wore subjugation style body chains finished with pearls that looked like dew drops on spiderwebs.

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Make-up:

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"There's a bohemian class, a brilliant crudeness," said cosmetics craftsman Lucia Pieroni, who was conjuring flushed cheeks and sparkling skin utilizing a Clé de Peau Beauté cream redden and MAC Strobe Cream as a highlighter. "It's that warm pink you get from strolling, the slight rosiness of the cheek," she said. "You don't appear as though you're wearing cosmetics; you simply look astonishing."
So the makeup was very natural giving the sense of youthness, of freshness and tenderness.

Hair styling:

Guido Palau was additionally thinking about something more "touchable, womanly, genuine." He and Burton had been taking a gander at pictures of dozed in hair in foresight of the appear. To re-make those same strange defects for the runway, he was impacting the hair with Redken Windblown splash and afterward assembling it into sentimental spirals utilizing a genuine needle and undetectable string.

"You know when you're sewing something on a machine and after that you pull the string and the entire thing ruches? That is what we're doing to the hair," he clarified.

Concerning that hair-weaving procedure, Palau said it can be interpreted into a night motion by just tying the hair back with a bit of sparkling gold fiber. Ideal for night, he said with a twinkle, "or—who knows?— even your wedding."